Apr 19, 2011

International Wine Challenge


Yesterday I had participated in International Wine Challenge (IWC) 2011,
as a judge for its Sake category.
As one of the biggest, and most recognized wine competition in the world, 
IWC had started Sake category 4 years ago. 
and the number of Sake enrolled are increasing every year; over 600 kinds this year.
Thanks to the IWC organizers, there was one minute silence
for the victims of the Japanese earthquake before the wine and Sake judge.

日本酒部門審査員として参加してきました。
世界最大規模、最高権威のこのワイン・コンペティションに
日本酒部門ができて5年目になります。
出品酒は年々増え、今年は600銘柄を越える日本酒がエントリーされたそうです。
IWCの心遣いで、ワインの審査員の方々も含め
審査前に一分間の黙祷がありました。





one flight was categorized by Junmai Ginjo & Junmai Daiginjo,
Ginjo & Daiginjo, Honjozo, and Koshu (Aged Sake).
All we had informed was the BY (Brewed Year).
Knowing that our decision would change the future of each brewery,
It is not easy judge at all.

各フライトは純米吟醸&純米大吟醸、
吟醸と大吟醸、本醸造、古酒と分けられ、
与えられた情報はBY(Brewed Year)のみ。
一種一種が、それぞれの蔵本さんの未来にかかっていると思うと、
簡単な審査ではありません。



We had welcomed Senior Sake judge, 
star Sake celebrities like Mr. Beau Timken of True Sake in SF,
President Kimijima of Yokohama Kimijimaya, 
Many members of Sake Samurai,
and there and many Sake related people from all over Europe.

There will be Discovery Tasting of enrolled Sake to the public today,
with great Sake master class by Mr. Ken Ohashi and Mr. Beau Timken.
Results of this competition will be announced in 29th June,
followed by A taste of Gold event and ceremony.
Looking forward!

Big thanks to Ms. Rie Yoshitake, president of Sake Samurai Europe,
and Sayaka san and Satomi san, my sommelier heros for giving me such an opportunity!

サンフランシスコの日本酒ショップ、True Sakeのボー・ティムケン氏や
横浜君嶋屋の君嶋社長、酒サムライの皆様など
世界の日本酒界をリードする豪華な面々をシニア審査員に迎え、
ヨーロッパの日本酒関係者が集まりました。

今日は、一般流通関係者向けに昨日の出品酒を振る舞うディスカバリー・ティスティングと
大橋健一氏とボー・ティムケン氏によるサケ・マスタークラスが行われます。
今年の審査の結果発表は6月29日。
同日にゴールドメダル酒の試飲会とセレモニーがあります。
非常に楽しみ。

参加の機会を下さった酒サムライロンドン代表の吉武 理恵さん、
大先輩サケソムリエのさやかさん&里美さん、
どうもありがとうございました!


Apr 17, 2011

いつも何度でも / Always, No Matter How Many Times

*the song starts after 5:28 / 歌は5:28から
*videotaped in 06/08/2008 / ※2008年8月6日放送

Nataliya Gudziy, Ukrainian singer and  Bandura player.
A major theme of Natalka's work is the Chornobyl tragedy of 26th April, 1986, which she witnessed as a 6 years old children. 
Chornobyl has been a big part of her life ever since. 
Natalka's hometown was Prypiat, only 3.5km away from the plant, became one of the villages in the shadow of Chornobyl.
Her father had worked in the power plant and stayed behind with orders to work on the clean-up. 
He has subsequently become ill. 
She has lived in Japan since 1999. She has become fluent in Japanese, and sings and writes songs in that language, as well as in her native Ukrainian.
It almost has been 25 years since the tragedy of Chornobyl.
Let's listen her voice, and rethink.


translation:
Over 60 years ago on this day, August 6 a tragedy occurred in Hiroshima. 
Like the tragedy that occurred in Hiroshima and Nagasaki, the tragedy which struck in Chernobyl over 20 years ago is still not over. 
The nuclear power plant at Chernobyl experienced a meltdown 22 years ago.
I was 6 years old at the time. Since my father worked at the plant, all of us family lived a mere 3.5 km from the plant. 
The accident happened in the middle of the night so most people were unaware that anything serious had occurred. 
For that reason, life went on as normal the following day. 
Children went to school and mothers took their young children out to play outside the whole day. 
As a result, they were exposed all day to invisible radiation.
We weren't informed of the accident until the next day. 
We were told not to worry as it was not a serious accident, but that to be on the safe side, evacuate. 
No need to take your suitcases, we were told, just evacuate the city for 3 days. 
So we did as we were told and left the city without packing our bags. 
Nonetheless, we didnt return in 3 days, a month, or 20 years.
The forests we children had played in every day as well as the houses full of memories were destroyed by the radiation and buried in the dirt. 
Today nothing remains. What was once a vibrant city is now dead. 
We didn't just lose our beautiful hometown in that horrific accident, but many people also died. 
Many of my friends have died. Just kids at the time, many of us have grown up, married, and have kids of our own, some of whose health has been adversely affected.
Mankind has forgotten and is making the same mistakes over again. 
Don't forget these tragedies. Don't make the same mistakes.
With this hope in mind, I will sing this lovely and meaningful song for you. 
“Itsumo, nando-demo ("Always, No Matter How Many Times")”.


It’s calling out, somewhere deep within my chest
My heart always wants to dance and dream

The number of my sorrows is countless
But across them, surely I’ll be able to see you again

Every time mistakes repeat, people will
Understand the blue of the simply blue sky
I can see that the path continues endlessly
But my two hands can embrace the light


My calm chest at the time of farewell
My empty body makes me listen carefully

It’s strange to be alive, it’s strange to die
For flowers and wind and towns, everything’s the same


It’s calling out, somewhere deep within my chest
Always, no matter how many times, I’ll sketch my dream

Rather than talking all about the number of my sorrows
I’ll sing softly with the same lips

Always, amidst my locked up memories
I listen to whispers that I don’t want to forget
Even the faces of a mirror shattered into pieces
Reflect new sceneries


The peaceful window of a starting morning
Fills my empty body

I won’t search on the far side of the sea anymore
Because I found in myself
What is shining is always here


"Always, No Matter How Many Times")”.
Ending song for the film "Spirited Away".



ナターシャ・グジーさん。ウクライナ出身で歌手、バンドューラ奏者。
彼女の作品のほとんどのテーマは、彼女が6歳の時に体験した1986年4月26日、チェルノブイリでの悲劇。
原発からわずか3.5キロで被曝をした彼女の町は「チェルノブイリの闇」になってしまい、
原発で働いていた彼女の父親は事故の後も勤務を続け、以後、身体を蝕まれています。
1999年より日本へ移住した彼女は、流暢な日本語と、母国語のウクライナ語で
日本の観客に彼女の歌を披露しています。
チェルノブイリの悲劇からあと少しで25年。
彼女の声に耳を傾けて、もう一度考えてみよう。


呼んでいる 胸のどこか奥で
いつも心躍る 夢を見たい

かなしみは 数えきれないけれど
その向こうできっと あなたに会える

繰り返すあやまちの そのたび ひとは
ただ青い空の 青さを知る
果てしなく 道は続いて見えるけれど
この両手は 光を抱ける


さよならのときの 静かな胸
ゼロになるからだが 耳をすませる

生きている不思議 死んでいく不思議
花も風も街も みんなおなじ


呼んでいる 胸のどこか奥で
いつも何度でも 夢を描こう

かなしみの数を 言い尽くすより
同じくちびるで そっとうたおう

閉じていく思い出の そのなかにいつも
忘れたくない ささやきを聞く
こなごなに砕かれた 鏡の上にも
新しい景色が 映される


はじまりの朝の 静かな窓
ゼロになるからだ 充たされてゆけ

海の彼方には もう探さない
輝くものは いつもここに
わたしのなかに みつけられたから

「いつも何度でも」


Apr 14, 2011

noji chrysanthemum and snow camellia


"Noji Chrysanthemum and Snow Camellia"

After the Great Hanshin Earthquake in 1995 and the Chuetsu Earthquake 2004, when their evacuation lives became long terms,
Hyogo and Niigata Prefectural Police formed a team of female police officers named after flowers.
Their mission to visit as many shelters as possible to "listen the voice of earthquake victims".

Team Noji Chrysanthemum engaged in a picture‐story show and ventriloquism puppet shows,
"We cannot help anything, all we can do is listening and nodding what they say with tears" said in the report back then.
With a support of other prefectures, their team grew to 150 officers, visited 5,000 locations, 760,000people's stories and they "teared and encouraged by the locals who strived to live positively".

After the Tohoku Earthquake this March, there have been many police women coming from all over Japan to patrol each shelters. Their activity is wide and everything like "taking a walk with a local lady who has a difficulty on walking".
the tires of their patrol car wear out in a day because of its bad road environment, and the filter of air conditioner were blocked up from the dust of broken buildings.

We heard from Iwaki-cuty, Fukushima prefecture that their cherry blossom had bloomed this year for the first time, and its local school children in shelters started new term.
The scenery had dramatically changed, but there again a new spring season arriving in the area.
Noji Chrysanthemum flowers even in the sandy coastal road and Snow Camellia blooms after enduring under the heavy snow of winter.
The areas once swept away from Tsunami, where we could only stand aghast, would surely bloom.


13/4/2011
Shunshuu corner, Nikkei Newspaper



「のじぎく」と「ゆきつばき」。阪神大震災、中越地震のそれぞれの後、住民の避難生活が長期化する中で兵庫、新潟県警は女性警官中心の部隊を編成し、花の名をつけた。任務は避難所を回り「とにかく被災者の声を聞く」だった。

のじぎく隊は紙芝居や腹話術の人形を片手に奔走。当時の記録に「どうしてあげることもできず、泣きながらうなずくしかない。つらい」とある。それでも全国の応援を得て150人体制を組み、「前向きに生きようとする被災者の姿に涙し、逆に励まされて涙し」、5千カ所延べ76万人の話を聞き続けた。

東日本大震災でも、被災地の県警に加えて、警視庁のきずな隊など各地から駆けつけた女性警官たちが避難所巡りを始めている。「足の不自由なおばあさんと一緒に散歩」など活動は幅広い。道路環境が悪いため車は一日でタイヤの表面がボロボロになり、粉じんでエアコンのフィルターが目詰まりするという。

福島県いわき市から桜の便りが届き、避難先の子供たちは入学式や新学期を迎えた。情景は一変してしまったが、被災地にもまた春がめぐってきた。のじぎくは海岸の砂地にも咲き、ゆきつばきは厳しい冬を雪の下で耐え、花開く。津波にのまれ、今はただぼうぜんと眺めるしかないこの地にも、花はきっと咲く。


2011/4/13付
日本経済新聞 春秋欄